But instead of a hypnotic wave of the hand, the sound of Dune's voice is like a simultaneous kick to the gut and punch to the face. Think of it like the Jedi mind trick ( Star Wars owes an absolute ton to Dune, don't forget). That philosophy was essential to crafting the Bene Gesserit voice, a seemingly supernatural ability that allows members of Dune's religious order to control others. is an outgrowth of that overarching philosophy to design a soundtrack for two hours and forty minutes that felt organic, as if we were a documentary film.' Working together with Dune's director, Denis Villeneuve, the pair aimed to make 'a real-sounding science-fiction film with things we've clearly never seen and heard before,' Mangini said in an interview with Engadget.' almost as if you put out a microphone and captured sounds as if those things actually existed. The key to that magic, according to sound designers Theo Green and Mark Mangini, was a focus on capturing and using organic sounds, rather than fantastical digital creations. It practically breathes life to the film - so much so that it makes Dune's wing-flapping ornithopter ships seem surprisingly real. But there's also an undersung element that ties everything together: sound design. It's a joy to watch, especially on the big screen. Dune is a film filled with gorgeous vistas from alien planets skyscraper-sized spaceships and some of the most beautiful actors working today.

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